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Definitely not DMB for TBB
While we all know that the final headlining slot for Telluride’s Blues and Brews will be announced once that band’s contractural obligations at Mile High are completed, one band can be officially crossed off the list.
Dave Matthews Band has announced that their final shows of 2010 (and 2011 for that matter) will take place on 9/17&18 at Wrigley Field in Chicago, making it official that they will not be in Telluride. If you want to see DMB before their hiatus, you’ll have to catch them at MHMF in August.
This leaves Derek and Susan (most probable) and Steve Miller Band along with a few dark horses like Jack Johnson, My Morning Jacket, Cypress Hill (just kidding, their blues album isn’t coming out til 2013) and Weezer as possibilities.
Ringo turns 70, Beatles and Grateful Dead Remembered
Richard Starkey, better known as Ringo Starr is celebrating his 70th birthday today. Ringo played Red Rocks twice including the first ever major rock concert there in 1974. While there were 2,000 tickets left unsold to that show, many people that were at the concert think that an overall lack of security and common knowledge that it was easy to sneak in make it one of the most well attended shows in Red Rocks’ history. Ringo returned to the stage 36 years later with his All Starr Band. Happy Birthday Ringo!
And speaking of Red Rocks… it was 32 years ago today, The Grateful Dead played the first of what would end up being 20 shows at Red Rocks. The setlists…
7/7/78
Set 1: Jack Straw, Candyman, Me & My Uncle > Big River, Friend Of The Devil, Cassidy, Tennessee Jed, Passenger, Peggy-O, Music Never Stopped
Set 2: Cold Rain & Snow, Beat It On Down The Line, Scarlet Begonias > Fire On The Mountain, Dancing In The Streets > Drums > Not Fade Away > Nobody’s Fault But Mine > Not Fade Away > Black Peter > Around and Around, E:U.S. Blues, E: Johnny B. Goode
7/8/78
Set 1: Bertha > Good Lovin’, Dire Wolf, El Paso, It Must Have Been The Roses, Minglewood Blues, Ramble On Rose, Promised Land, Deal
Set 2: Samson & Delilah, Ship of Fools, Estimated Prophet > The Other One > Eyes Of The World > Drums > Wharf Rat > Franklin’s Tower > Sugar Magnolia, E:Terrapin Station, E: One More Saturday Night, E: Werewolves of London
Festival Pick of the Week: Bluegrass in Paradise
This coming weekend, the first ever Bluegrass in Paradise will be held in Crested Butte. Hosted by the “Master of Strings,” Drew Emmitt, this festival will include two full days of workshops and performances.
Bands from all over country include Blue Highway, Bearfoot, Springcreek Bluegrass, Ralph Stanley and The Clinch Mountain Boys, Emmitt-Nershi Bandand Shannon Whitworth.
For tickets and information, visit the Bluegrass in Paradise website.
1/22 Daily Update: Del Tha Funkee Homosapien, Greensky Bluegrass, Cornmeal and more
Do you remember the song mistadobolina? Well, the guy that sang that song, Del, is back and is hot right now… sharing his time between Gorrilaz and his own band. To check out Del tha Funkee Homosapien, go to Agave tonight and see why he transcends rap and includes jazz and funk into one of the best live shows around.
Side note trivia: Del is the cousin of Ice Cube
At Three20South, Todd Sheaffer shares the bill with Cornmeal. Todd is no stranger to the road. Initially known for his acclaimed “front man” work as lead singer, guitarist, and songwriter with the popular quintet From Good Homes, and now his current role as lead singer/songwriter of new-grass sensation Railroad Earth, Sheaffer has been bringing his music to thousands nationwide for over a decade now.
Cornmeal continues to forge a path all their own, pushing the boundaries of bluegrass, Americana and folk for a whole new generation of music lovers. Steeped in the tradition of musical acts such as Old and in the Way, John Hartford, and New Grass Revival, Cornmeal has proven to be an influential presence in the world of roots music.
For those of you around Vail, if you’ve recovered from the Tim Reynolds show at Sandbar, you should make it back there for tonight’s Split Lip Rayfield show. Split Lip Rayfield continues their tour of Colorado and if you’ve ever longed to see a talented band with a bassist that plays homemade one-string bass built from the gastank of a 1978 Mercury Grand Marquis and a piece of hickory and strung with one piece of Weedwhacker line, this is the band for you!
Another great concert tonight happens at Steamboat’s Ghost Ranch Saloon where The Sounds of Seattle Tour stops by with tribute bands to Pearl Jam, Nirvana and a few other of your favorite Seattle bands.
Lastly, Winterfest on the Mountain starts tonight. The schedule for the evening is:
| Tony Trischka | 6:00 – 7:00 |
| Adam Aijala and Ben Kaufmann | 7:30 – 8:30 |
| Greensky Bluegrass (2 sets) | 9:00 – 11:45 |
1/21 Daily Update: Ridiculously awesome night of music
Where to begin? With Tim Reynolds, Split Lip Rayfield and Harmonious Junk all playing tonight, just pick whoever is closest and have a good ol time.
In Vail, Sandbar hosts TR3. This is not Arnold Schwarzenegger… it’s musical virtuoso Tim Reynolds! Widely known as the guitar player for Dave Matthews Band, Tim is touring with two accomplished musicians to show off his wide range of musical talents including the seven instuments that he has mastered. For more info on TR3, check out www.timreynolds.com.
At Steamboat’s Ghost Ranch Saloon, Harmonious Junk takes the stage. Harmonious Junk was founded by former James Brown Band lead guitarist, Damon Wood. Wood began the project in Las Vegas in 2001, as a side project when not touring with James Brown. He later relocated to Denver and reformed the group. Wood and a revolving cast of players have released 2 studio discs, 2005’s Space Cadet and 2008’s Too Cocky In Nagasaki. The former was featured in Relix Magazine, and led to the band being named “Best Jamband” by Westword magazine in 05′. The latter features legendary James Brown bassist/vocalist Fred Thomas on 3 tracks. Harmonious Junk has recently worked up a 21 song tribute to the band Ween, as well as a tribute to the music of the film The Big Lebowski. They recently opened for the film at the Boulder Theater in Colorado. The current cast of players includes Brian Efros on Bass, Mikey Goletz on drums, and Brian Loftus (from Little Hercules) on drums.
And, Split Lip Rayfield begins a 4 day tour of Colorado’s mountains at Three20South in Breckenridge. If you’ve ever longed to see a talented band with a bassist that plays homemade one-string bass built from the gastank of a 1978 Mercury Grand Marquis and a piece of hickory and strung with one piece of Weedwhacker line, this is the band for you!
Play Green: Making recycling easy when it’s not
It has happened to all of us, many times in fact.
Whether we’re running, biking, camping and listening to music, or however we choose to enjoy the outdoors, at some point we’ve all come across garbage. Not just trash, but that broken bottle, or beer can, or piece of plastic whatever it used to be that has now broken our concentration on the beautiful world and caused us to think about the ugly truth. The truth is, glass, plastic, aluminum, and so much more could have easily had a second, third, or tenth life if it had just been recycled instead of being randomly tossed aside to litter our earth.
Don’t get me wrong, I’m not a recycling freak, by any means. I’ve turned the blind eye, more than once. If anything, I should be doing so much more. I learned to rinse the recycling first, and to use the commingled bin properly. That was easy. And I’ve learned to carpool and even be more aware of the plastics I buy. Also, easy. You can learn to become more eco-friendly every day, it’s very simple. Old dogs do learn new tricks.
I’ve played my share of disc golf in Steamboat Springs, Fort Collins, Beaver Creek and elsewhere. It’s very disappointing that nearly every round I’ve played I’ve found either bottles, cans or other recyclables and even trash in the disc golf pin. For me it can be a real buzz-kill on an otherwise beautiful afternoon outdoors. I must admit I’ve not always been perfect about separating the recycling from the trash, but it’s pretty easy to at least ‘pack-it-in, pack-it-out’? Right? Do they just assume someone more responsible will come along and do the right thing for them?
In 2007, Mark Reece was having similar thoughts. Unlike me, he took Action. He created a company called Play Green Events, dedicated to improving recycling at public events in Denver, and throughout Colorado. The idea to promote recycling was much bigger than just disc golf courses. It was only natural to spread out. Music festivals, sports tournaments, catering events, walks, runs, rides, and benefits soon were ‘greener’ thanks to Mark’s Play Green ideas. I just had to know more, from the source. I found Mark eager to help fill in the back-story.
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Which disc golf course was the first to let play green take on the recycling responsibility for their course?
The first disc golf course to bring us on was Bird’s Nest up in West Arvada. This course is John Bird’s brainchild and also the home course to a few tournaments run by the Mile Hi Disc Golf Club. We have been a part of not only this course but two others here in Denver and are working steadily at expanding through community help and Denver Parks and Recreation assistance.
What is the largest event Play Green has ever done the recycling for?
Right now largest event we’ve been a part of is the Greek Festival here in Denver.
It is held at the Orthodox Church of Leetsdale and usually brings in around 50 thousand people for the weekend. Our first year with the festival we recycled nearly three tons in three days. A great accomplishment as well a solid testimony to the amount of waste these events bring in. We are pleased to say this year we have a new contract in the works with ‘The Festival de Italiano’ in Lakewood that should bring around 65 thousand visitors.
What are the biggest obstacles to implementing recycling?
Definitely the biggest problem is displaying signs and having well marked bins are the key. I spend a lot of time and extra cash trying to make our bins really stand out to the casual observer. Getting people to look up and become aware of how they are consuming and disposing of products and what type of wastes result can be extremely challenging. The demographics can be so diverse as well. Even if you have an enlightened crowd, there is still going be the un-educated or un-aware. So you really need to cater to everyone.
On average, how do we Coloradoans fare against the national average in terms of our carbon footprint and how well we recycle?
I tend to believe that the majority of Coloradoans, travelers and vacationers come here and think green. The state itself has that sort of calling. So I would say pretty good or above average. On the other hand, I believe that our Park Department and other areas of State Government have a long way to go and would b below average. So there is an inconsistency that I for one would like to see shored up.
What are some ways we as individuals can be more green when we attend events?
First of all you can use the old philosophy of, “Pack In, Pack Out.” If camping, be sure to bring two trash bags; one for your trash the other for recycling. Call ahead and ask if there will be recycling, if not REQUEST IT. Carpool when possible; keep your area clean and respectful and last, try to use or buy any local or eco-friendly products available.
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Two weeks ago I had no idea what my carbon footprint was, where my nearest recycling center was, or even what I should be doing locally to make recycling more accessible in my own neighborhood. After scouring the Play Green website, and getting a few answers from Mark, I felt the wave of information overflow. I mean, here were carbon footprint calculators telling me the impact of not only my driving, but my home living, and even traveling in dollar terms. And while we all should know to separate the trash from the recycling, do we think about the next step? For example, buying recycled, local goods cuts down on things like packaging and shipping and voices demand. Also, ever think about bio-diesel or composting or sustainability? I had to get back to Mark for more…
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Your website says, “Behind the scenes ideas for greening your event” What does that mean? Tell me more.
Well, there are a ton of events out there and most go with the idea of recycling fairly easily. It is getting into the guts of the event that can also make a big difference. Talking and working with event coordinators and vendors about what type of product they will be purchasing and using is very important. If in the budget, BUY RECYCLED. That alone can be extremely effective in not only increasing the “green effect” and closing the loop, but also helping to drive that section of the economy (increasing demand and bringing down prices). Another increasingly common practice is composting. We have added this as a Play Green Events feature in 2010. This is basically taking anything that is organic in nature or used to be alive and putting it all together in a separate bin. We take it to a commercial composter where it can then be processed and put back into use at our local farms. Buying local is also huge. This cuts down on so much like shipping, packing, fuel cost and other waste all the while driving and sustaining our Colorado economy. There are a few other little tricks like biodiesel generators and outdoor solar hook ups but in a nutshell, its all about BBC, “Buy Recycled-Buy Local- Compost.”
Its great to see the “Play Green Events” name on all recycling receptacles at various events, but, how is Play Green Events educating people about recycling?
Our website is constantly changing and evolving. Within its pages there is a lot of useful information. Check the Be Green page. We hope that people will make the best of it. We also do our best to set up a sustainability table at most of our events. A place where event goers can ask questions and get answers. By providing the public with some useful information either about the area they live, or the battle around the country, on a base level, I like to think that for the most part, people like to get involved. Getting involved, believe it or not, is the best education available.
What has been the biggest learning experience for you since inception?
That’s a tough one. Following the TransRockies Run, three hundred or so foot runners through a six stage race from Buena Vista to Beaver Creek, was quite a challenge. But I think when it comes down to it, learning to work and form idea relationships with local waste/removal companies has always been tough. There needs to be a more driving economy (Dollars) for them to be more cooperative it seems. Knowing that, until some changes are made on the state and local levels here in Colorado which will increase overall demand for recycled product, we still face an uphill battle to really increase our ‘carbon footprint’ effectiveness.
What is the future for Play Green Events?
A vast, wide, expansive empire of Play Green Events domination 
But, for now, I
suppose I’m going to have to keep it simple. Getting down to it, I’d like to operate and run Play Green the best I know how and continue to develop new partnerships and learn new ideas at recreating the way we PLAY. I hear the best way to change the world you live in is to change the small things first. So, I will stick to my beautiful backyard here in Colorado and do the best I can to help people play green yo.
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Recycling is a choice and it does require your effort. Old dogs really can learn new tricks. What new eco-friendly ‘trick’ will you commit to learn this summer? When you’re done with this magazine, will it end up in the trash, or will you recycle it to a friend’s hand? Think before you buy. Think about your impact. Think what you can do. Think Green. With our future and the benefits in mind, it becomes an easy choice. This is our beautiful state. Let’s keep it that way and remember Mark’s words, “Play Green, Yo.”
THE WEEZE & 15 YEARS OF “ONE LOVE MUSIC”
“Many are called, few are chosen”
Intro and interview by Billy Doran
“You are listening to One Love Music”, a faceless voice reminds as I turn up the volume of the radio.
I’m driving East through Avon along Highway 6, heading to Avon Deli & Bakery to meet my subject for the latest Mousiké Magazine piece, Scott Peterson, aka, “The Weez” from KZYR 97.7FM, DJ and host of the longest running radio show in Vail, the reggae music showcase, One Love Music, celebrating 15 years of Ja Love & Ja Music.
Squinting as the sun breaks through cartoon clouds and grabbing my shades, I look up at the cobalt blue sky, then turn the volume up a bit more -Weez always has the best selections playing for the right moments. I level my gaze ahead to the horizon, the surrounding mountains and ski runs of Vail, the Eagle River snaking through by my side racing neck-and-neck with I-70. It dawns on me, all these things I have seen for over 20 years now during my life in Vail, all so familiar to me, yet at the same time, every now and again you see them as if for the first time. You see them in a way they are meant to be seen, be defined, immovable and stripped of any kind of “normality” that we humans sometimes tag things with that we are used to seeing.
The voice continues, “I am The Weez and you have it tuned in to the Zephyr”, at that moment the comical reality takes shape, I am going to meet someone whom I have never seen and have never met- but have known for over 15 years!
As we sat and talked about the success of the show, he admitted that “in a million years”, he never thought (the show) would have done what it has, with the longevity it has kept up and the audience it has acquired. Sitting there and listening to his vast knowledge of music, and artists, and festivals from all corners of the globe, his passion for music is addicting. I couldn’t help but think that there was no way the show couldn’t be a hit!
After the interview, it dawned on me that this “stranger”, the aforementioned “faceless voice”, is as familiar to me as all the things I have known in all the years I have lived here. He is the music man, he is defined and immovable, and definitely stripped of any kind of “normality”, he is Ja Weez.
BILLY DORAN– Weeze, what’s up man? You’re early, I figured you music types would be fashionably late.
THE WEEZE– I am early considering I’m usually on Island time.
BD– Yeah, right. Fashionably early by 1 minute, how’s it going?
TW-It’s going real well…or “Real Realm” should I say?
(He says referring to the t-shirt I’m sporting, Colorado’s annual “Realm Music Festival”).
I’ll be there! I’m real excited for those shows! Used to be the “Campout for the Cause”, I’ll be there for sure.
BD– Happy 15th Anniversary man! Can you believe 15 years of “One Love Music”?
“Ja music, ja rule, ja love”…so what was the genesis of this creation that has taken on a life of its own?
TW-Oh man, thank you, crazy…crazy isn’t it?…You know, when I first started the show…when I was young, back in the day, I used to listen to the “King Biscuit Flower Hour”, that was a great (radio) show. So, I wanted to call it kind of the “One Love”, kind of “let’s get together…feelin’ alright” thing. Something we could get together once a week, listen to some good reggae, and, “feel all right”. Then I wanted to add the “hour” thing because of the King Biscuit show, plus then it kind defined it, it was hour long show, “One Love Music Hour”. Then it started to grow. 2 hours…then 3 hours…then it was “One Love Music Hours”, so then it just became “One Love Music”…
BD-…and the rest is history as they say. So through that progression, the natural growth of the program, all the while slowly acquiring more and more of a following and gaining more popularity, you started to push the boundaries outward?
TW-Yeah, I think the whole concept for me was just to get the music I love to as many people as possible. Kind of like “my mission”, you know? It’s kind of like “many are called, but few are chosen”.
BD-Right on, that’s a good way to be…
TW-Yeah, I was picked to do this, you know? Picked to play reggae as long as possible. So that’s what I do.
BD-A lot of people may not realize this, because you got to be living under a rock if you don’t know who The Weeze is or haven’t heard of the One Love Music show, but you aren’t just at KZYR, 97.7 the Zephyr, you are beyond the valley. You play in the Aspen/Glenwood areas on KSNO, 103.9FM, you are also heard on KMTN, 96.9FM out of Jackson Hole, Wyoming, right?
TW-Yeah, I pretty much have the Rockies covered. A while back I linked up with a guy who ran a station in Jackson; his name was “Fish”…
BD-…people in music always have great nicknames- you know there’s a great back story there somewhere…
TW- …”Fish”, yeah, he was really interested in the show and my work, and we had some mutual friends. I was looking for some syndication as it was, get (my work) on as many stations as possible, that was the original gig, the mission, and what I wanted to do from the beginning- like King Biscuit. So around 2000-2001, with the help of Fish, I got things going; trimmed the show from 3 hours to 2, kind of fine-tuned it, tightened it up. He helped me get linked up with the FM markets in Jackson & Western Yellowstone areas, then also into the Idaho mountain markets; Sun Valley, Idaho Falls. Most recently, the show is heard on a station in Maui, Hawaii, so that’s really cool, 4 states. I used to think if it as a regional show, but now, Maui, very stoked about that. That’s far away!
BD-Well, kudos to “Fish”, sounds like he’s been a real catalyst in helping “One Love” take flight?
TW-Oh yeah, for sure. I’d always wanted to get into more markets, but through mutual friends, I met him, and from then on, bam!
BD-That is very cool man, from the Rockies, over the Pacific, to the Islands?
TW-For sure, then I hit up www.365.com, and got attached to the internet radio market. That’s incredible, you can log on and see what kind of market is listening, and from where their listening, and for how long they’re watching…that’s where I cam up with the “Top Five” on-air, the top five countries or markets that are tuning in. There’s been times I’ve had to look up where people are listening from, like Reunion Island, (small French island East of Madagascar), or places like Washington D.C, that’s a real hotbed of reggae music as there’s a lot of Jamaicans living there, so I get a lot of listenership there. The internet is amazing for getting your work out there. Truly a global market.
BD– That’s got to be an amazing and exciting prospect, to see worldwide who’s listening and where?
TW- Oh yeah, like Guadeloupe! Guadeloupe? I had to look up where Guadeloupe was! It’s pretty wild for sure. (F.Y.I., Guadeloupe is a small island chain in the Lesser Antilles archipelago in the Eastern Caribbean Ocean)
BD– Let’s back up for moment Weeze, and get some background on you. You were born in the Midwest, right?
TW– Born in Milwaukee, Wisconsin, then shortly after moved to Minnesota when I was barely a year old, so grew up in Minnesota, moved to Colorado in 1987. Did a couple years of college and thought, man this college thing just isn’t working, you know? Entertained the idea of broadcast school- my Mom agreed! She said, “you talk a lot, you should go to this broadcasting school I see advertised”!
BD– So Mom was on to something?
TW– Oh yeah. I thought, “Mom has the right idea”, then came to find out the school was less expensive and it was a faster program which translated to- it will get you out of (this house) quicker!
BD– That’s too funny. Now, not to be master of the obvious, but you’re about 6’3”, white, thin, guy from the Midwest, right? Safe to say that’s an accurate description?
TW– Well, not as thin as I used to be! I’m “teek” now, as the Jamaicans would say… “you teek mon” (“you thick man”)
BD– Aren’t we all. So, back to being master of the obvious, you’re not exactly the kind of guy one would expect to host an International hit reggae music show. How did that turn of events happen?
TW– Sparked by Marley (no pun intended), just Bob Marley’s music, and the whole message in the reggae, the message of (“Brad-B?”), that’s the message I was in to, you know? A conscious, like, I don’t know, like the lyrics to Bob’s songs. I’ll catch another word every time I listen; it’s like a new message every time.
BD– Like-no-other for sure. Bob is, was, always-will-be one of a kind.
TW– I was already on the air out here, and didn’t start the “One Love” show until around ’95, like a couple of months before Jerry Garcia died. Somehow, for some reason, as soon as Jerry passed, I was just full on reggae, all reggae. I was following (Grateful Dead) around for a long time, doing that thing, trying to see him as much as possible. So, when (Jerry) died, I just kind of went to reggae.
BD– Another like-no-other, Jerry Garcia. What do you think it is about reggae music that no matter where you come from, what your ethnic background is, where you grew up, what your economic tax bracket is- everyone has the same response to reggae music? You know, it loosens up everyone’s brain; it becomes a visceral mental relaxation, like as we walk around, in our mind we’re just hanging out in a hammock under a palm tree with a drink that has an umbrella in it.
TW– Man, that’s a heck of a question! I don’t really…man…that…that’s a tough one to put your finger on. Maybe it’s partly that which what you just said. Maybe…it’s partly…you know, if you live in, like, an island spot- then do you think about “the islands” and stuff when you hear reggae?
BD– Good point.
TW-I mean for me, I live in a cold place (here in Vail), so the music can partly represent, like, warm weather, like a getaway. So, maybe it’s like an island escape for your ears, and then for some people for your mind too when you listen to reggae, just that kind of thing.
BD– You’re known for a reggae show, but what else is on your I-pod, anything that people may be surprised to know you listen to?
TW– I listen to it all, the hippie stuff, rock, reggae, jazz & blues, funk, Willie Nelson, New Orleans style, you know, rap/hip-hop, pretty much everything- except classical, don’t really get into classical stuff…
BD– So no Ja-Love, Ja-Bach. Ja-Chopin?
TW– Ha ha, nah…the classical just doesn’t do it for me. If I think chill music, I don’t think classical right off the top. Nothing against it, it’s just not my thing. Definitely more reggae than anything else.
BD– With that being said, this is a good time to ask, when was the first time you set foot on Jamaican soil and realize that Jamaica was going to be part of your future?
TW– It really started about a year after I started the show, around ’96. Not just that I wanted to go to Jamaica, but more that I wanted to go to a (music) festival in Jamaica. I thought it’s be Sun Splash, but that went through some stuff and kind of ended, so it turned out by the time I got there, summer of ‘96, I made it to Sum fest (Summer-Fest), down in Montego Bay. But it wasn’t just the music, you know? I wanted to go down there with some credentials, be like “the press”. Being on the radio, I was used to being in the green room and talking to the bands, so I didn’t want to go down there and just be out in the crowd, you know? I enjoy being in the crowd, but more enjoy being backstage talking to the artists.
BD– Absolutely, I mean with the credibility you’ve built up here in the States, or where have you, it allows you to appreciate the whole (Festival) experience that much more.
TW– Exactly, that’s why I kind of wanted to be rollin’ with that and that was in ’96. The weird thing was I didn’t make it back down there for 11 years, until 2007! Ironically, 11 years later, I go down with my Jamaican buddy, Larry, he’s going to take all the photos while I did the interviews, and sound bites and such, so we go to check in at the media check-in station, and the woman there was the same one who checked me in back in ’96, right? She recognizes me. She looks at me, and says, “I don’t know why I can’t find your picture (press badge), it should be in here from last year, I know you were here last year, I don’t know why I don’t have your picture in my data base” How funny is that!! I hadn’t been there in 11 years and she’s talking like it was just last year.
BD– Man, that’s a perfect example of “island time frame”, just a totally different mindset.
TW– Right! I mean WOW, eleven years!! But, Sum fest, that’s the festival that I go to every year…
BD– …and it was this trip, to Sum fest ’07, that you met your wife, Andrene, affectionately known as “Mello”?
TW– It was Larry was showing me around, I had gone down to chill out and just take a break from some things that had been going on. After a few adventures in Jamaican car rentals from places like “Rasta Car Rentals”, I finally got hold of an able car to tour the island, and such, so another friend calls me to give me the number of a really great friend there in Jamaica to kind of show me around, maybe have someone to attend the festival with, you know just kind hang out- “oh by the way”, he says, “her name is Mello”…
BD– That seems like a fitting name in a place like Jamaica.
TW– Exactly…and we just clicked from the start.
BD– And kept clicking?
TW– And kept clicking…you know we went to the festival, and often women there will get someone to kind of escort them around, kind of a “rent-a-dread”, just to kind or point them in the right direction, keep the hassles to a minimum, things like that. She was just gonna go to the shows one night, and I said, “you should go to all the shows”. It was casual, she would attend some of the shows, she’d leave early, but it was all good. But there was something there, and we both kind of knew it from the start.
BD– It’s a cool thing, a special thing, when you make that sort of connection with someone.
TW– Yeah, so we went through the boyfriend-girlfriend thing, and she’s still in Jamaica, you know, I went through all the bullshit trying to get her over here for a travel visa, or even just a work visa- no luck. Even now, we’ve been married for almost 2 years, and I’m still trying to get her over her! Man government red tape, what a #%*@ hassle.
BD– What a pain in the ass!
TW– Total pain in the ass. But, she’s hangin’, she’s keepin’ busy, she’s a massage therapist and cosmetologist- AND she/we just opened a bar, called Vybz, in the town of Hopewell about 15 miles West of Montego Bay- right on the water- after some major jumping through hoops- but that’s kind of a dream as well. A bar, with my wife, in Jamaica, on the beach, a great local’s hangout.
BD– So, it’s safe to say now that you are truly in love with Jamaica?
TW- Oh yeah, for sure. It’ll all be worth it. You know it’s funny, Jamaica gave me the music I love, the music that kind of put me on this path- then- Jamaica, through the music, gives me this wonderful, beautiful woman I fell in love with. I got it all…
BD– Your livin’ your dream…
TW- Totally! Now just waiting to wake up to a coconut tree in my front yard!
BD-You mentioned earlier the effect Bob Marley has had on you- have you been to see Bob?
TW– I have, he’s in a small town called Nine Mile. I was there just after his mother had passed and prior to her death, she would greet people who had come to see Bob’s crypt and she would tour them around and talk with them. But when I was there, they were building her crypt right next to Bob’s, so I’d like to go back and see her as well. Yeah, it’s pretty intense, being there, to see someone who has had such an effect on your life, on your path…
BD– I hear you man, same thing with me when I go visit Jim Morrison whenever I’m in Paris, some weird connection. You know, one thing that many people don’t know about Bob Marley is that he was buried with his 5 favorite things: his favorite guitar (some say a red Fender Stratocaster- some say a Gibson Les Paul), a soccer ball, a marijuana bud, a ring that he wore every day that was given to him by the Prince Asfa Wossen of Ethiopia, and a Bible. Pretty cool- that’s Rock & Roll.
BD– Considering what you do, what you’ve done…is there anything, or anyone that you look to, or seek out, to find inspiration for your show?
TW– Well, as far as the actual product that’s on-air, the “One Love” show, I draw from all different things. I’m on the air all the time, so I draw from other people on-air, or from the TV, or even listening to someone that’s doing an interview- or someone I may be interviewing, I listen to how they’re phrasing their questions, just sponging things from all different avenues. As far as any kind of mentoring, it would have to be Rasta Stevie…
BD– Rasta Stevie, the old Mayor of Telluride?
TW- Yeah, he’s done it right. Now he lives in Costa Rica now- or as he calls it “Rasta Rica”. I’ve known him for years; he used to be in a reggae band called 8750, out of Telluride. Sometime in the early nineties, I realized that I needed to use the radio format, the reggae music. I had a kind of “freelance show” around that time, playing in a few different markets in and around Colorado and also on a station in Chicago, but one particular station but it was weird, it was like a cool reggae show but stuck in the midst of a light, adult contemporary format. So I’d be jamming some Peter Tosh and talking about legalizing it and then like a station ID right in to some Carly Simon or Christopher Cross of something like that, yeah it was odd.
BD– Talk about not using the clutch when shifting gears. That is an odd combo…
TW– I mean, I hung there for a few more years, and people dug the music. The station said if I wanted to keep doing it, I’d need to find some sponsorship money to keep in going in the Vail market, and I lived in Vail, so I didn’t have to look far. Got some money from places like the old Dancing Bear bar, and Pazzo’s, and the show went on. I mean I don’t care about money, I just need enough to keep going, but it would be pretty great to get hooked in to some big sponsors like Rossignol, or some big company in Aspen or Jackson Hole, that’d be pretty cool…
BD– So, anyone reading this, if you’re looking for an established outlet for getting your name, your brand, your whatever out there, get hold of Weeze.
TW– Here’s me! I’m in Maui now! Call me!
BD– Hell yeah, you’re big in Guadeloupe now, how can you beat that!
TW– Yeah, Guadeloupe!
BD– Weeze, if you weren’t spinning reggae music, or any kind of music, what do you think you’d be doing? Is there anything else you could see yourself doing if you weren’t doing this? Or, is this something that you were, hands down, meant to do?
TW– Wow, big question. For me, doin’ radio, it’s where it’s at. Music is my thing. I mean, I get to sit down at work! I have all these friends that ski all day, or whatever, then they wait tables and bartend and stuff. I get to sit down, play music, talk to people, talk to musicians and artists…
BD– So, this is like a destiny thing then? Might that be it?
TW– That might be it.
BD– Where do you see yourself in 5 years, or 10 years, still on the radio?
TW– Oh yeah, I hope to be on the radio until I can’t do it anymore. Maybe branch out into other radio avenues, production or promotional stuff, but definitely radio, music, that mix. I enjoy hearing new music. I was talking to a friend of mine, Danny Dread, he’s in a band called Rising Lion, and they have some new music coming out, so anytime that happens, I’m always like, “man email me the music so I can play it on the show”.
BD– Are you ever- not- “the Weeze”, do you ever separate your on-mic persona with the off duty guy?
TW-It’s so weird when people ask me that question. No matter what, I’m the Weeze, I’m the guy who loves music. But sometimes, you know, if I’m out having a beer or something, I get people who say, “you don’t sound like you sound when you’re on the radio”. For one thing, I’m trained to be a broadcaster, to annunciate, speak clearly…
BD– …well, you’re voice is your “tool” and, I would think, that in some sense when you clock out, you leave your tools at work, right?
TW– Exactly. That’s a really good analogy. I mean, of course I have to control the steady stream of profanities that spill out during my “regular time”. I mean, %$^&, when I #@$%&@ want some #%&@ done, I #@%* make it happen!
BD– Yeah, $#%@ that, I totally understand that #@%$!
TW– Exactly.
BD– Well, it’s been great getting to know the voice playing the music. Of course congratulations on 15 years of “One Love Music”, I’m sure you have another 15 in you.
TW– Oh man, I can’t believe it. I couldn’t believe it when I hit my 500th show, and now I’m just over 775 shows! Weekly shows! I’m going to shoot for 1000 next!
BD– You’ll totally make it.
TW– I’d like to talk on the radio for frickin’ ever! It’s a great job. I’m sure I’ll tone down on the club DJ-ing. I’d like to get my wife up here, and hope to make some babies in the next few years so it would be great if the late night stuff came to an end at some point. Some people tell me, “man you should open your own bar here in Colorado”, no way! I’d be the biggest booze-bag in the world! I already like to go out partying; I don’t need to own a bar- not to mention everyone would want free drinks! I don’t mind being in charge of something, but I never want to be the guy that has to rain some dude’s parade, that would have to tell someone they can’t go to a music festival because they’re on the schedule, you know?
BD– Weeze, I want to thank you so much for your time, and letting us “behind the mic” with you. Again, all the best for another 15 years and then some. Any parting thoughts or words for your listeners and fans of “One Love Music”?
TW– For now, I’ll just keep doing my part. I tell Ja I’ll continue to spread the reggae message of music as far and as wide as I can, for as long as I can…Ja-rule, Ja-love,
Ja-Music.
Cultivation: The Seeds of New Colorado Music
Within each issue of Mousike, you will find profiles on four Colorado based bands that are contributing their original styles to a live music scene that many consider to be the best in the world. Generally, each band included in Cultivation have been around for less than five years but we here at Mousike believe that they have the talent to achieve great success in Colorado and beyond for many years to come.
In a past edition of Cultivation, Mousike writer Jenna Stecker predicted, “…Head for the Hills seems poised to break to the front of the modern bluegrass movement.” This summer, HFTH has been tapped to open up for none other than David Grisman for several shows. Mousike congratulates HFTH and we know that their talent and passion will continue to bring them more successes in the future.
For Issue 10, Stecker has brought Mousike’s readers a great selection of singer songwriters, hip-hop, blues, pop, country and bluegrass to read about with Kinetix, Fatima Lily, Boxcar Daisies and Missed the Boat. Enjoy!
If you know of a band that should be considered for a future edition of Cultivation, please e-mail jenna@mousikemagazine.com
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Kinetix
Denver, CO
It’s been almost 5 years since Adam Lufkin (rhythm guitar/vocals), Eric Blumenfeld (keys/vocals), Jordan Linit (lead guitar), Jack Gargan (drums), Josh Fairman (bass) created the Denver based Kinteix. 5 years of rocking the Colorado music scene and beyond. In fact they just came out with their third studio release “Let Me In”. “This time around we said ‘Fuck it.’ and went balls to the wall.” says Lufkin.
Recorded in Blasting Room Studios Ft. Collins, “Let Me In” was released May 11th. On the 13th Kinetix hosted a CD release party at the Bluebird Theater in Denver with The Fox Street Allstars(Cultivation, Issue 9) opening. “Let Me In” brings Kinetix usual combination of Rock and Hip Hop with just enough Pop sprinkled on top to make their hooks sink into your brain. Listening to the tracks off this album you are consistently reminded of Kinetix live performances: Fun, high energy, party songs. Neatly orchestrated and tightly woven, every member playes his part and adds his respective flavor to each track.
Over the years each member’s individual roles have evolved and melded to create Kinetix original music and sound. Lufkin explains, “Lyrically, on our past two albums [the writing was done] primarily by myself and Eric. However, everyone would always help write the arrangements and bring the songs to life. Sometimes someone comes up with a lick and then Eric or I would add lyrics or maybe some other part to the song. With “Let Me In” we took more of a team approach, both lyrically and musically. Eric and I brought our songs to the table as well as the rest of the group, but instead of playing the songs that one way, we’d cut the parts we felt weren’t needed or if there wasn’t a clear message in the songs we’d rewrite them until everyone agreed they were finished.” Jordan Lint adds, “When we started, we were 5 guys that got together to play each other’s songs. Over the years we have culminated a sound that is a seamless combination of our 5 unique musical fingerprints. Now, our sound is so much tighter and our message much clearer.”
That indeed seems to be the case as Kinetix has secured a spot at the now-on-hiatus 10,000 Lakes Festival in Minnesota for the last 4 years running. Festival goers not to worry as the boys have easily slid over to Wakarusa’s lineup this year along with Cultivation’s other band this issue, Missed the Boat. If your travel plans include Arkansas this summer make sure to cruise by Kinetix show and give your Colorado Cultivation support!
Visit thekinetix.com for tour and album information
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Fatima Lily
Boulder, CO
As I listen to Fatima Lily’s album for the first time, many influences become apparent: Sade, Sara McGlaughlin, Erika Badu. No matter who you think of when you hear one of her songs, you are able to discern the scope of this fledgling talent.
Playing everything from piano to bass guitar, as well as mixing and producing all her own tracks, Fatima uses a Midi to transform her piano to any instrument she needs. From that standpoint her music could be considered electronic. However with bluesy, R&B roots and a light pop coating, Fatima is a nice combination of surface and soul. While Fatima says that during production of her “First Album” there were, “No boys allowed!” she is trying to extend beyond the boundries of her solo performances. “I am a one woman show at the moment,” she says, “[I am] looking for professional players to play gigs of my own repertoire.”
However she maintains that her focus is writing thought provoking songs. “If someone can connect and relate to one of my songs, that means the world to me.” She continues, “My main theme I guess is always a heartfelt one. Life, relationships and love. I try to have a round about moral to every story. If I am broken in one part of the song I try to get my head fixed by the end and stay strong, even in my blues!”
With her “First Album” out and boasting a extensive 24 tracks it can be easy to get lost and distinguish what tracks really define Fatima’s sound and her as an artist. My personal favorites come from the top of the que. “A E I Oh, You” is a smokey, sultry end-of-love song and then flipping the coin “Anything for You” follows, a pop-ish yearning love song. Whichever song of Fatima’s you find hits the spot, look forward to hearing more from this talented singer/songwriter.
To browse a list of 59 Fatima Lily originals and to find your favorite go to reverbnation.com/fatimalily.
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Missed the Boat
Steamboat Springs, CO
After a few loose jams at a local bar’s open mic night, band members Ryan Cox (guitar/vocals), Pat Waters(drums), Peter Hall(Harps) and Andrew Henry(Mando/ Banjo) realized they had something together. Quickly moving from house parties to playing the bar scene in Steamboat, Missed the Boat added Bryan Joyce on bass in 2008 and began regularly touring throughout Colorado adding national dates as well, establishing them solidly in the Colorado music circuit.
On the rise, Missed the Boat has landed a spot on the Revival stage at this year’s Wakarusa through a regional battle of the bands. On a local note, Missed the Boat is also performing at Realm Fest’s Campout for a Cause II at Rancho del Rio this July.
MTB’s first album “Rollin” was recorded in just two days in Chicago which goes to show that time doesn’t always dictate success. “We worked with a great producer Davey Riley,” says Ryan Cox. “As it was our first studio release, Davey really helped us keep our noses to the grindstone and crank out a phenomenal record in a very short period of time.” Rollin went on to be nominated in four categories for the 2010 Grammys including best new song for “On the Road”. Other nominations were Best New Artist, Best New Country Song, and Best Country Song. “Which we don’t really consider our music to be quite Country, but its a Grammy, we’ll take it!” laughs Cox.
People that have followed MTB since it’s inception in 2008 will be pleased to note that they have an as-yet-untitled sophomore album set for release sometime this summer. Cox is looking forward to the album’s release saying, “We are recording it here in Steamboat Springs at First String Music, and we have taken a much more spread out approach in terms of the recording process. We have planned more studio time and more time in between recording sessions, which has allowed us to really explore every song, think about it, and build it instrumentally. Our upcoming album, while staying true to the Missed the Boats roots, also has a little bit of a different feel with some hints of reggae, great bluesy harp sounds, and plenty of other surprises– no one wants to hear the same record twice!”
If you make the choice to travel to Steamboat Springs, Rancho Del Rio or any other Colorado town this summer make sure it coincides with one of their shows. Don’t miss the boat!
Visit missedtheboatband.com for MTB’s summer tour dates
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Boxcar Daisies
Minturn, CO
What would you expect if you went to see a show from a band named Boxcar Daisies? I say just listen. KT Homes and Elli Gauthier say it’s best to drop all expectations. KT says, “We both write on our own time and in collaboration. Love and travel, love and travel, love and travel. Really what else is there? It’s all about love for life.” Well then, I guess I maybe could expect to hear at least one song about love or maybe one about travel?
Formed just over a year ago via Craigslist, the two girls have been co writing songs alongside the railroad tracks of Minturn ever since. When I asked what kind of music they considered their work to be, the girls say, “Sort of folky, singer-songwriter with a handful of sawdust.”
In my opinion, the girls inadvertently hit the nail on the head describing their sound when they explain how they came up with the name Boxcar Daisies. “A lot of our music is based on travel and a rather nomadic dusty rough around the edges sort of lifestyle. But then there is a femininity there [also].” Silky sweet harmonies dominate the Daisies’ “rough-around-the-edges-yet-feminine” sound.
Unaware they were opening for a band I went to go see some months back, the Daisies stopped me in mid stride with their blended vocals. And if adding a Guitar, a 5 string Banjo to the sateen voices weren’t enough, you might be able to find a Harmonica, a Washtub Bass, and even a Musical Saw.
If you haven’t picked up the girls first album “River Song”, which is a self proclaimed, “Little rough [yet] made with love project.” you might be able to find them in their Minturn home away from home Kirby Cosmos. “[Kirby’s] has the best vibe, best mac-n-cheese, and it’s ironic because it’s a BBQ joint and we are both pretty much vegetarians. It’s got a great little stage and nice people that like to have a good time!” says KT.
In order to experience the Minturn created, railroad tracks inspired female duo, The Boxcar Daisies, look them up online at boxcardaisies.com.
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Telluride Blues and Brews 2010
Telluride Blues and Brews: A golden festival in a heavenly valley
Each year, the Heavenly Valley plays host to a golden festival. Golden because the aspen leaves are at the peak of their vibrancy, golden because that is the hue of the tasty microbrews and golden because, if there were festival medals handed out, Telluride Blues and Brews would take first place.
In addition to the wonderful alliteration that rolls off the tongue, those two “B” words conjur an interest in attending such a festival even before one ever knows the who, what, where, why or when of it. “Blues,” an ironically uplifting style of music with a 12-bar structure that lends itself to the genres of Rock, Soul, Funk and Zydeco; And “Brews,” a tasty beverage that graces the pallette with succulent flavors while instilling a happy buzz unto it’s consumers. So with 2010 headliners such as Derek Trucks and B.B. King, that winning formula of “B” words and an abnormally perfect weather forecast, the Blues and Brews Festival set up shop in Telluride’s Town Park for their 17th annual festival.
With the Meteorologists nailing the forecast, Telluride escaped the regular rain, hail and snowstorms that usually adorn the month of September and instead opened with bright sunshine and temperatures hovering around 65 degrees. As the gates opened, thousands of fans flocked into the open field to set up their tents, tarps and chairs, staking out their dancing and relaxing areas for the next three days. Per usual, first timers “oohed” and “aaahed” as they took in the breathtaking surroundings while the Blues and Brews faithful toasted old and new friends; all of them feeling at home in the friendly confines of Town Park and the San Miguel Mountains.
Inside the festival grounds, ticket holders were in store for a treat right away as a visit to the beverage tent allowed them to try Sierra Nevada’s new Back Porch Lager, a beer crafted by the Blues and Brews staff at a week-long “Beer Camp” earlier this summer. This beer lover enjoyed it immensely and would like to publicly commend the staff on concocting a beer of savory flavor without being too heavy, a winning combination necessary to endure 3 day festival. Next to the beer tent, the food court showed the return of the heralded dumplings from Boulder and some local flavor too; with Telluride Truffle selling sundaes and Fat Alley providing those slow roasted meats that go so well with said beer. The Banana Egg Rolls, a lightly fried banana smothered in powdered sugar and drizzled with a chocolate sauce, was a crowd favorite.
When the music started, the crowd got a glimpse into why Blues and Brews is in the upper class of festivals, with a great lineup that included famous and yet-to-be famous acts that blur the lines of musical genres. One of the most impressive acts of the day was Ronnie Baker Brooks, a mainstay on the Chicago Blues scene. Brooks incorporated very funny impressions of John Lee Hooker and Howlin’ Wolf into his act while working the crowd into a frenzy during songs like Muddy Waters’ classic, I Just Want to Make Love to You.
With Blues and Brews, the festival doesn’t end in Town Park. Once the music in the park comes to a head each night around 9, the festivities spill into the cozy streets of Telluride, where every business with a liquor permit plays host to talented musicians. It’s a real treat to wander in and out of up to ten rocking bars and theaters (many with histories dating back over100 years), during the course of an evening.
On Saturday, the Grand Tasting began at noon and the crowd winded their way throughout Town Park’s trails around the ponds, even spilling out onto the streets, in order to be there right as the gates opened. When they were set free into the park, each member of the line was given a complimentary tasting glass; to be filled with up to 150 different flavors of beer over the next three hours. From Lagers to Porters to insane flavors like Chil Pepper Beer, constant cheers and group toasts arose from the thousands of festivarians revelling in the moment.
As the sun continued to shine and “the leaves became more yellow with every glance” (as Aaron Fuller of Fort Collins claimed), the bands were turning out spectacular set after spectacular set. First, Terrence Simien unleashed a zydeco experience on the crowd. Armed with an accordion and a killer voice, Grammy Award winner Simien threw an hour long party in Town Park. Complete with a Mardi Gras style parade with clowns on stilts and kids tossing beads to the crowd, this set was the essence of a Telluride Blues and Brews experience. This set showcased why this festival bears a remarkable resemblance to something that might happen in New Orleans. Simien was followed by some of the best touring acts of them moment with JJ Grey and Mofro, Galactic and Derek Trucks and Susan Tedeshi taking the stage in succession. Perhaps it was the Grand Tasting, or maybe just a testament to the unique wackiness of the Blues and Brews crowd, that led J.J. Grey to remark that “Everyone in Telluride is a character.”
While one never wants a festival to end, the closing day of Blues and Brews is particularly emotional as it signals the end of summer. On this particular Sunday, fans were treated to what may have been the oldest lineup in festival history as it featured T-Model Ford (in his 90’s), B.B. King (who celebrated number 85 over the weekend) and Allen Toussaint (in his 70’s). Each one was incredibly impressive with Toussaint stealing the show with his rendition of Arlo Guthrie’s City of New Orleans, complete with a Sunday afternoon crowd sing-along. And when the music ended, not only for the day but also for the season, the crowd filed out of Town Park with huge smiles, knowing that the next festival season will begin again in June and that, once again, it will culminate with this, a golden festival.
The Rocky Mountain Way in Telluride
From Todd Altschuler and the pages of Mousike….
Nestled into a box canyon in the Four Corners region of Colorado, there is a town whose beauty transcends conventional adjectives. It’s a town about which B.B. King once said “Out of the 90 different countries I’ve been to, I’ve never seen anything more beautiful than what you have here.”
The postcard perfect town that we speak of is Telluride, and at some point this summer, you should take a ride there to enjoy great music in a serene setting. In what has grown into a Mecca for outdoor summer music, Telluride is sure to have one of your favorite bands at one of their many concerts or festivals.
Just driving into Telluride is worth the price of admission as there are awe-inspiring views to your left, right and center. There are mountains that seem to rise vertically from the valley floor to rocky peaks, the highest concentration of fourteen’ers in the country and two 300 foot waterfalls cascading off the mountains. Make sure to look around the roadside too as there are often times elk and prairie dogs greeting you as you drive slowly down the two-lane highway into town.
With your car saturated with fresh mountain air, you might unplug your iPod and tune the dial to 91.7 KOTO, Telluride’s only FM radio station. KOTO is one of the last remaining listener supported, commercial free radio stations in existence. Their tag line “radio almost like the professionals” should give a glimpse into the entertaining format that you will encounter. While tuned to KOTO, expect something unusual because the members of the all volunteer DJ squad certainly have very diverse musical tastes.
Just past the elk and prairie dogs, you will enter downtown and instantly be sent back in time. Here you will encounter some of the finest examples of Victorian-era architecture. Several buildings from the late 1800’s are still standing, including the Courthouse, New Sheridan Hotel and many banks (one where Butch Cassidy pulled off his first major heist). And the houses are no different with every residential street lined with historic houses painted in vivid colors.
But again… the readers of Mousike need not come to Telluride just for mountains, waterfalls and architecture.
At the heart of Telluride’s music scene is Town Park, which sits right smack dab in the middle of this ridiculous scenery. The park is where Telluride’s three largest music festivals (Telluride Jazz Celebration, Bluegrass and Blues and Brews) are perennially held. The San Miguel River, which is formed from the waterfalls above town, runs right through the park and there are historical buildings like an old mining house and the original wooden jail that housed criminals from the Wild West era.
In the back of Town Park, there sits a stage with the same majestic views as those described above. Permanently erected in 1991, this barn-like structure has served as host to some of the most legendary musicians in history. Those that have played there include James Brown, Johnny Cash, The Band, Elvis Costello, Willie Nelson, Bob Dylan and The Allman Brothers.
As per usual, it was a long and lonely winter for the stage; as the locals and tourists alike traded in their dancing shoes for ski boots after last year’s Blues and Brews Festival, which traditionally ends the festival season.
But she smiles.
She smiles because she knows by the sounds of school children playing soccer in her shadow that it won’t be long until amazing music is once again emanating from the speakers. One can only imagine that upon hearing the hoots and hollers of these children, she instantly ponders with amazement who might serenade throngs of music lovers in the coming months.
One can be fairly certain that old friends like Bela Fleck, Edgar Meyer, Peter Rowan, Sam Bush and John Cowan will be there when the music starts up in June. These guys have been a part of almost every Telluride Bluegrass Festival since the mid-eighties and it’s no different this year.
Other acts who get to enjoy the view from Town Park’s stage are legendary musicians B.B. King and Larry Coryell, who will add to their legacies in Telluride, and two of Colorado’s most famous touring acts from the last 20 years will be in town as Leftover Salmon and Yonder Mountain String Band return to the Bluegrass Festival after several years away. A visit to Telluride this summer might also allow you to see country star Lyle Lovett, Hammond B3 master Dr. Lonnie Smith, The Greyboy Allstars or Keller Williams, all of which will stand on the historic stage this year.
Then there’s Telluride’s most anticipated concert of the summer taking place on the heels of The Telluride Jazz Celebration. This is when the members of Phish will congregate in the park to add another chapter to the rich histories of the band, the stage and the town. Perhaps they might even be the first to jump on trampolines on the stage? Cornmeal, Tea Leaf Green and Marco Benevento Trio all have post Phish concerts in town.
While Town Park is the epicenter of summer music in Telluride, don’t forget that once a year, Colorado Avenue (that same street with old storefronts, banks and hotels) shuts down for a day in July to bring you Music on Main Street. The one-day event celebrates the combination of music and food. The culinary delights include such delicacies as crawfish beignets, jambalaya, gumbo and more. This summer’s lineup has not yet been announced, but past performers have included Bill Kreutzmann, The Dirty Dozen Brass Band, Buckwheat Zydeco and George Porter.
There are also concerts high above town on the ski mountain every Wednesday evening as part of the Telluride Sunset Concert Series. The location of the concerts offer incredible views of the Wilson mountain range, the likes of which was used on the Coors Light can. Some of this year’s performers are The Sierra Leone Refugee Allstars and Steep Canyon Rangers.
From town, you can take a gondola to the shows.
In addition to the stellar lineup of musical festivals and concerts, Telluride plays host to tons of non-music events like the world-famous Telluride Film Festival, a yoga festival, a Hot Air Balloon Rally, celebration of Plein-Air painting, 4×4 Rally, Mushroom Festival and a wine festival that also includes the music of Jackie Green and Jason Isbell, both of whom wowed the crowds at last year’s Blues and Brews.
So as the waterfalls break free from their icy holds, the leaves return to the aspens and the final remains of snow melt from the chairlift ramps, Telluride gets ready to once again be one of the summer’s musical centers. Whether you come to Telluride once a year, haven’t been in ages or have never been at all, make sure you plan to take a trip down at some point this summer.
Oh by the way, it’s really not that far from you! These are the travel times from various spots in Mousike’s distribution area:
Crested Butte – 2hrs 50min
Aspen – 3hrs 40min
Vail – 4hrs 20min
Breckenridge – 5hrs
Steamboat – 5hrs
And when you make it down to Telluride, consider these popular hikes before the music starts:
Bear Creek Canyon: Bear Creek’s amazing serenity and beauty makes you feel like you’re miles away from civilization. It’s 2 miles one way with a 1,040 foot elevation gain within this 325-acre mountain canyon that is secured for the public by the Telluride Land Trust. Enter the trail from the end of South Pine Street and follow Bear Creek up the canyon to enjoy views of jagged peaks on your way to waterfalls. About .25 miles before the falls, watch for the sign on your right announcing the trailhead to the rugged and challenging Wasatch Trail.
Bridal Veil Falls: These stunning waterfalls are over 300 feet in length. From Town Park walk east until you see the old Pandora Mill. From there, follow the dirt road marked County Road to the bottom of falls, where you will be refreshed by the mist or go the extra mile(.6 actually) to the top of the falls. You don’t have to stop here, though. Beyond the privately owned historic power plant, are the Bridal Veil Basin, Blue Lake, and Silver Lake.
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